{"id":2060,"date":"2026-02-11T14:48:25","date_gmt":"2026-02-11T14:48:25","guid":{"rendered":"https:\/\/tvomagazine.it\/?p=2060"},"modified":"2026-04-16T12:11:41","modified_gmt":"2026-04-16T12:11:41","slug":"palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano","status":"publish","type":"post","link":"https:\/\/tvomagazine.it\/en\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/","title":{"rendered":"Palazzo Blu, Pisa: Belle \u00c9poque. When Paris also spoke Italian"},"content":{"rendered":"

WITH OVER 2.5 MILLION TICKETS SOLD AND BOOKED IN THE FIRST WEEKS OF ITS OPENING, BELLE \u00c9POQUE. ITALIAN PAINTERS IN PARIS IN THE AGE OF IMPRESSIONISM CONFIRMS THAT IT IS CAPTURING AN INTEREST THAT GOES FAR BEYOND THE IMMEDIATE FASCINATION FOR AN ICONIC ERA.<\/em><\/strong><\/p>\n\n\n\n

Hosted at Blue Palace of Pisa<\/strong> and curated by Francesca Dini <\/strong>\u2013 among the most authoritative voices in the study of the second half of the 19th century in Italy \u2013 the exhibition stands out as a solid cultural project, capable of combining scientific rigor and narrative accessibility.
The exhibition focuses not on a sugar-coated Belle \u00c9poque, defined only by elegance, worldliness, and visual pleasure, but on a complex historical period marked by profound contradictions. It was a time of industrial progress and bourgeois growth, but also of social tensions, political fractures, and new urban identities. In this context, Paris became the laboratory of European modernity: a capital of art, taste, and fashion, but also a space for cultural debate and competition. It was here that a generation of Italian artists chose to confront the present. Giovanni Boldini, Giuseppe De Nittis, and Federico Zandomeneghi<\/strong> They moved to the French capital between 1867 and 1874, attracted by a dynamic, open, international artistic environment. They did not arrive as supporting actors, but as aware protagonists, ready to dialogue with Degas, Manet, Renoir, Caillebotte, Pissarro<\/strong>. Their painting captures modern life: boulevards, caf\u00e9s, theaters, the new urban sociality, the female figure as a symbol of an era in transformation. The exhibition, featuring approximately one hundred works from leading museums and collections\u2014from the Mus\u00e9e d'Orsay to the Louvre, from the Philadelphia Museum of Art to the Uffizi\u2014presents this period as a European phenomenon, beyond mere stylistic definition. The elegance that emerges from the paintings is not surface, but language: a tool for narrating time, its rhythms, its anxieties. <\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

The rich public program conceived by contributes to strengthening this critical reading. Palazzo Bl<\/strong>u: a series of meetings and conferences, free of charge, that will run throughout the exhibition until March 2026. Each event explores a specific aspect of the Belle \u00c9poque, broadening the perspective beyond the works on display and revealing the cultural, social, and political context in which they were born. From the lights and shadows of the era, analyzed by historian Alberto Mario Banti, to the central role of fashion in building the Parisian myth, recounted by historian Virginia Arabella Hill<\/strong>; from the functioning of the art market and of the large international galleries \u2013 with the emblematic case of Maison Goupil<\/strong> \u2013 up to a detailed analysis of De Nittis's painting and its relationship with modern space. The series also opens to fin-de-si\u00e8cle theatrical life, including caf\u00e9 concerts, variety shows, and new celebrities, and concludes with a discussion led by the curator. Francesca Dini<\/strong>, which reconstructs the scientific and cultural reasons for the
exhibition project. One of the most significant aspects of the exhibition is its desire to transcend the clich\u00e9s that have long surrounded the critical acclaim of these artists, often relegated to a decorative or complacent role. In reality, as is clearly evident, their relationship with Parisian modernity is anything but passive. Boldini interprets its most worldly and dizzying side,
De Nittis<\/strong> he becomes its sensitive and analytical chronicler, Zandomeneghi<\/strong> observes bourgeois everyday life with an intimate gaze, close to impressionist sensibility.
Although immersed in the beating heart of French culture, these artists maintain a deep connection to their Italian training, particularly to the Macchiaioli legacy and a figurative tradition grounded in the observation of reality. It is precisely this dual affiliation\u2014Italian and international\u2014that makes their work unique and difficult to compare to that of their French colleagues. <\/p>\n\n\n\n

BELLE \u00c9POQUE<\/strong> It thus presents itself as a necessary exhibition: not a nostalgic celebration of a happy era, but a conscious reinterpretation of a founding moment of European modernity. A time when art did not simply decorate life, but questioned it, interpreted it, anticipated it. And when Paris<\/strong>, capital of the world, also spoke Italian.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

CON OLTRE 2 5 MIL A BIGLIETTI TRA VENDUTI E P RENOTATI NELLE PRIME SETTIMANE DI APERTURA, BELLE \u00c9POQUE. PITTORI […]<\/p>\n","protected":false},"author":2,"featured_media":2065,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,1],"tags":[],"class_list":["post-2060","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artscultures","category-uncategorized"],"yoast_head":"\nPalazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tvomagazine.it\/en\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine\" \/>\n<meta property=\"og:description\" content=\"CON OLTRE 2 5 MIL A BIGLIETTI TRA VENDUTI E P RENOTATI NELLE PRIME SETTIMANE DI APERTURA, BELLE \u00c9POQUE. PITTORI […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tvomagazine.it\/en\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/\" \/>\n<meta property=\"og:site_name\" content=\"TVO Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-11T14:48:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-16T12:11:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1050\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pietro Lucii\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pietro Lucii\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/\"},\"author\":{\"name\":\"Pietro Lucii\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#\\\/schema\\\/person\\\/a7edfe0d07d1c1bade668bc7787dc51d\"},\"headline\":\"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano\",\"datePublished\":\"2026-02-11T14:48:25+00:00\",\"dateModified\":\"2026-04-16T12:11:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/\"},\"wordCount\":668,\"publisher\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg\",\"articleSection\":[\"ARTS&CULTURES\",\"Uncategorized\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/\",\"url\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/\",\"name\":\"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg\",\"datePublished\":\"2026-02-11T14:48:25+00:00\",\"dateModified\":\"2026-04-16T12:11:41+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#primaryimage\",\"url\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg\",\"contentUrl\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg\",\"width\":1920,\"height\":1050},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tvomagazine.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#website\",\"url\":\"https:\\\/\\\/tvomagazine.it\\\/\",\"name\":\"TVO Magazine\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tvomagazine.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#organization\",\"name\":\"TVO Magazine\",\"url\":\"https:\\\/\\\/tvomagazine.it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/LOGO-TVO-WEBSITE-HOMEPAGE-1-scaled.png\",\"contentUrl\":\"https:\\\/\\\/tvomagazine.it\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/LOGO-TVO-WEBSITE-HOMEPAGE-1-scaled.png\",\"width\":2560,\"height\":750,\"caption\":\"TVO Magazine\"},\"image\":{\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/tvomagazine.it\\\/#\\\/schema\\\/person\\\/a7edfe0d07d1c1bade668bc7787dc51d\",\"name\":\"Pietro Lucii\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g\",\"caption\":\"Pietro Lucii\"},\"url\":\"https:\\\/\\\/tvomagazine.it\\\/en\\\/author\\\/pietro-lucii\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tvomagazine.it\/en\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/","og_locale":"en_GB","og_type":"article","og_title":"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine","og_description":"CON OLTRE 2 5 MIL A BIGLIETTI TRA VENDUTI E P RENOTATI NELLE PRIME SETTIMANE DI APERTURA, BELLE \u00c9POQUE. PITTORI […]","og_url":"https:\/\/tvomagazine.it\/en\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/","og_site_name":"TVO Magazine","article_published_time":"2026-02-11T14:48:25+00:00","article_modified_time":"2026-04-16T12:11:41+00:00","og_image":[{"width":1920,"height":1050,"url":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg","type":"image\/jpeg"}],"author":"Pietro Lucii","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Pietro Lucii","Estimated reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#article","isPartOf":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/"},"author":{"name":"Pietro Lucii","@id":"https:\/\/tvomagazine.it\/#\/schema\/person\/a7edfe0d07d1c1bade668bc7787dc51d"},"headline":"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano","datePublished":"2026-02-11T14:48:25+00:00","dateModified":"2026-04-16T12:11:41+00:00","mainEntityOfPage":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/"},"wordCount":668,"publisher":{"@id":"https:\/\/tvomagazine.it\/#organization"},"image":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#primaryimage"},"thumbnailUrl":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg","articleSection":["ARTS&CULTURES","Uncategorized"],"inLanguage":"en-GB"},{"@type":"WebPage","@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/","url":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/","name":"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano - TVO Magazine","isPartOf":{"@id":"https:\/\/tvomagazine.it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#primaryimage"},"image":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#primaryimage"},"thumbnailUrl":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg","datePublished":"2026-02-11T14:48:25+00:00","dateModified":"2026-04-16T12:11:41+00:00","breadcrumb":{"@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#primaryimage","url":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg","contentUrl":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2026\/02\/7_Vittorio-Matteo-Corcos_In-lettura-sul-mare--scaled-e1770820307864.jpeg","width":1920,"height":1050},{"@type":"BreadcrumbList","@id":"https:\/\/tvomagazine.it\/palazzo-blu-pisa-belle-epoque-quando-parigi-parlava-anche-italiano\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tvomagazine.it\/"},{"@type":"ListItem","position":2,"name":"Palazzo blu-Pisa: Belle \u00e9poque. Quando Parigi parlava anche italiano"}]},{"@type":"WebSite","@id":"https:\/\/tvomagazine.it\/#website","url":"https:\/\/tvomagazine.it\/","name":"TVO Magazine","description":"","publisher":{"@id":"https:\/\/tvomagazine.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tvomagazine.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/tvomagazine.it\/#organization","name":"TVO Magazine","url":"https:\/\/tvomagazine.it\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/tvomagazine.it\/#\/schema\/logo\/image\/","url":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2025\/03\/LOGO-TVO-WEBSITE-HOMEPAGE-1-scaled.png","contentUrl":"https:\/\/tvomagazine.it\/wp-content\/uploads\/2025\/03\/LOGO-TVO-WEBSITE-HOMEPAGE-1-scaled.png","width":2560,"height":750,"caption":"TVO Magazine"},"image":{"@id":"https:\/\/tvomagazine.it\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/tvomagazine.it\/#\/schema\/person\/a7edfe0d07d1c1bade668bc7787dc51d","name":"Peter Lucii","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e526aed75d94cd3dea6053e192d53273de3c3671872c0c542519d674e81a532b?s=96&d=mm&r=g","caption":"Pietro Lucii"},"url":"https:\/\/tvomagazine.it\/en\/author\/pietro-lucii\/"}]}},"_links":{"self":[{"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/posts\/2060","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/comments?post=2060"}],"version-history":[{"count":1,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/posts\/2060\/revisions"}],"predecessor-version":[{"id":2068,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/posts\/2060\/revisions\/2068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/media\/2065"}],"wp:attachment":[{"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/media?parent=2060"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/categories?post=2060"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tvomagazine.it\/en\/wp-json\/wp\/v2\/tags?post=2060"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}